Spiralling Evolution

It is pretty amazing how when your attention is drawn to something, in this case the spiral as can be observed in the carapace of a snail, you begin seeing the object of your focus everywhere you look. For instance, spirals are present all around us in nature; from fiddlehead ferns to the seed head of a sunflower to the centre of a tornado and to galaxies far far away. In fact, in countless plants and elements of nature, the spiral form, be it Fibonacci or logarithmic, draws you to the centre as if by hypnosis. 

Perhaps it is hypnosis that drew me to focus on moon snail shells on the beach. Some of them look as old as time, some look like they are at the pinacle of their existence. Although each one is unique, the spiral on each is unmistakable. 

Moon Snail at Cap Lumiére, NB, Canada on the coast of the Northumberland Straight

In creating my next series of paintings, I feel myself spiralling towards evolution. The other options, devolution or stagnation, are not very enticing to me. That being said, "spiralling towards evolution"  might be a bit of an exaggeration because this series of paintings is a long and slow process. As a matter of fact, the use of oil paints has been a key factor in the reduction of the rush to completion. Most of these paintings are weeks, even months, in the making. I started using oils when I did my Natural Abstracts series. It is very hard to go back to acrylics which were at one time my favorite medium. I digress. ;-)

Here are a few of my latest paintings:

Lunatia, Oil, 61cm x 61 cm
(This piece was chosen as part of a Juried Exhibition, Moncton Gallery, Moncton, NB)

Oil, 15cm x 15cm

Oil, 15cm x 15 cm

Oil, 51cm x 51cm

This is not the last of them. I still need to centre myself as I continue spiralling towards evolution...be that what it may!

Namaste!
(All images and text in this blog are protected by copyright by virtue of their publication.)

  

To be continued....

After three exhibits in three different communities, the paintings in my series Nature's Abstracts have each found a home. The culmination of this two year project came to fruition this week. Many were sold, some were traded with other artists and some were given to family.


 

 

 



In My Studio
 

 

Of  the 34 paintings, there were only three I could not part with.

ENTOURAGE
45cm x 60cm
Oil paint and paste on canvas

REFLECTION
36cm x 36cm
Oil paint, stone and resin on canvas

IRIS

30cm x 20cm

Oil paint on raw canvas, stone and feather

 

 

And a few were very difficult to part with.

MUTATION

10 cm x 12.5 cm

Oil paint, paste and stone on canvas

 

MOSAIC
60cm x 51 cm
Oil paint and resin on canvas





LEVITATION
Oil paint on Canvas
70 cm x 27 cm

The feedback I received from the three exhibits by way of written and verbal comments was most rewarding. It seems that this series of oil paintings successfully conveyed the very message I was trying to transmit-abstract art is all around us! I'm not sure yet if I am quite done with this theme because as I developed it so many new yet related ideas emerged. I am leaving them ferment as I take care of a few slightly more mundane tasks, i.e. cleaning my studio and prepping house and home for winter.

As for my blog, what can I say - To be continued....

(Note: I have been having the hardest time putting pics in my posts that it has really reduced my entries...Soooo frustrating!)

Speaking Natural Abstract

I started drawing and painting some thirty years ago yet in 2006 I called my first real solo exhibit "In search of a voice". Although I had been painting just as a hobby you'd think I would have found my personal style in all those years. I even completed a four year degree in visual arts...Yet only now do I feel I can speak.

I'll admit, I mumbled a few words in this language every now and again but I always fell short in the vocabulary. The syntax and grammar left a lot to be desired as well. And now, today, I feel like a babbling brook. My language of choice-Natural Abstract.

I have often created inspired by what I saw as the abstract in nature but it was always just a piece or two. In no time at all, my inspirations seemed mundane. Then a few weeks ago I held a small river rock in my hand and I really looked at it, I read ever line and crevice, I really felt it's story.

Then I held another, and another, and another...and it became evident that each stone has it's own story.

Suddenly, I have a studio full of rocks and stones, full of ideas and inspirations...And I am the story teller.

As you might tell, I treat each stone as a unique artifact. The only common denominator is that they are all oil paintings. As for the composition, I let each stone tell me how it wants to be expressed. Some want to be part of the painting, some just want to accompany it, while others just want to inspire and return to the earth from whence they came. Others I feel so connected to that they will become my personal treasures, my personal rock collection.

Recently I heard a quote on the radio that seems to fit how I've been feeling "I love ideas because ideas are always pregnant". Are they ever! I had the idea to paint what I observed in one stone and twelve paintings later, I see no end in sight.

(All images and text in this blog are protected by copyright by virtue of their publication.)

Fools' Gold

Earlier this year, I decided to take time off from my studio, yet every now and then I find myself at Curio Studio working away on some creative venture, mostly crafty things. This is what I was up to earlier this week when suddenly my mind took a turn. By the time I awoke from my creative haze there was Fool's Gold oozing out of my canvas.

Fools' Gold

Acrylic/Mixed Media

20"x24"

I must confess I am not the ideal person to point the finger at environmental miscreants because I am far from being a hardcore environmentalist. Don't get me wrong, I really care deeply about the environment and have adjusted my lifestyle and many behaviours to preserve and benefit the planet. I strongly believe that it is better to do something to reduce the burden on mother earth rather than to do nothing. That being said, I also accept that it doesn't have to be all or nothing. (This is me trying to justify the many luxuries which surround me.) Still, while I might not feel I have the right to lend my voice to the tragedy that is occurring in the gulf waters, there is a latin phrase that often comes to my mind: Spiritus ubi vult spirat (Inspiration does not depend on will, it is a gift)...and so here I am.

Fool's Gold came about when I went to the studio to do a completely different piece and suddenly I found myself going in a direction I had truly been avoiding...Social commentary through art.

It is becoming evident to me that social commentary is often the direction my work takes. And the reason this befuddles me is that I'm not convinced that I can make a real difference. However, recently it has come to my attention that some of the greatest humanitarians attribute their success on the fact that they focus on the ' individual ' instead of the multitudes and that is how they made, and make, a difference. By that same token, if I choose to add my little statement to the thousands of voices outraged at the injustices and the callous disregard for the environment,  the message becomes so much louder and clearer.

Now all we need is for the Powers-that-be to open their ears and listen!

Threads II - Forest for the Trees

Renovate, paint, blog, photograph, renovate, print, carve, renovate....you got the gist of it. This total "busy-ness" makes it very hard to focus. Yet focus is becoming more and more important to me. I believe I need it if I'm ever going to really be good at expressing myself through my art, at reaching some pinacle of success. Okay, perhaps I'm overdramatizing a tad...Success is subjective and I guess I have achieved it in many regards.

What I really need is to quiet my mind and I feel a good way to achieve this is, you guessed it, Focus! With this in mind, I am continuing my search for the common threads in my work and lo and behold, there is the tree, a source of inspiration and awe! 

Although I have countless art pieces featuring trees I'll share these four, some old, some new, some unfinished and all in a different medium.

La pénombre (The Shadows)

Monotype-Ink on Somerset paper (32" X 55")

Moonlight Through the Apple Tree

Digital Photograph

Shadow Play

Acrylic on unmounted canvas

8" x  48"

Raw clay carving, not yet air dried. Bisquing and glazing to follow. (4" x 10" X 2")

Of course, don't get me wrong I do treat a lot of other subject matter, but when I look around in my home, in my studio, in my yard, trees are very present. And no wonder, where would we be without them!

Out with the old...

Let me begin by saying that it is really difficult to post when you haven't done it for awhile. I just felt like I needed to clear out a few things and create a more orderly work place. And that's what I have been doing...Out with the clutter; Out with the old! And hopefully the "In with the new" will soon follow.

Before I discard or store away the old, I want to keep a record of certain aspects of my work. In keeping with this concept, every now and again I shall post some of my old work prior to removing it from my studio.


In 2007, I had a solo exposition at the Capitol Theatre in Moncton, New Brunswick. It was called Cognition and dealt with the subjects of awareness and duality. Two of the pieces in that show are shown here. They have been hanging at Curio Studio since that time.

New Forest & Old Forest

2 separate acrylic paintings on stretched canvas 24" x 52" (each piece)

In Old Forest our eyes cannot see the forest for the trees, while in New Forest our eyes cannot see the trees for the lumber. As a reflection of my own hypocrisy in condeming the pulp industry both are framed in wood, a stark reminder that when you point a finger at something, three fingers point back at you.

Seven Deadly Sins

Overpass scene painted on seven canvases each measuring 12" x 48".

Written in Latin, one can read the 7 deadly sins as designated by christian religion:

INVIDA - AVARITIA -LUXURIA - IRA - ACEDIA - SUPERBIA - GULA

(ENVY -AVARICE -LUST - WRATH - SLOTH - PRIDE - GLUTTONY)

The use of the overpass seemed the perfect segway to each panel and demonstrated how we go about our daily routines without really noticing what is happening around us.

This piece also had a counter piece which dealt with virtue. In researching the virtues as they corresponded to the vices I found none truly spoke to me. That being said, one thing did seem to be an antidote for all the vices one could think of and that is RESPECT.

Also consisting of 7 panels (12" x 24"), each panel held one letter painted in a graffiti style, a commentary that it is often graffiti that is used to point out the "disrespectful" behaviour of others. I am happy to say that RESPECT is hanging on a wall in an elementary school in the southern part of New Brunswick.

Of course, there were many more pieces, some which I've already posted here and others that I would just rather forget. My thinking has changed a lot since 2007 and I would not approach the topics in the same way. I now believe that focusing on the negative only gives it more strength. I sure hope that is not what I've done!

The most important thing is that a new day has dawned and I am hoping that a daily routine of coming to the studio will help me achieve my goal of giving voice to my creative self.

So far so good!

Worm - A Story about the Environment

Worm, The Story©

The precarious state of the earth soon became evident to the worm as it tried repeatedly to tunnel through an unrecognized dark mass which had been buried just below the surface.

Unable to break through, it turned its attention upwards.

Soon it found itself in the hot, glaring sun. As it felt the drying effects of the sun's rays it struggled to reach a small puddle that gleamed in the bright light.

The worm had to overcome what must have seemed like an insurmountable number of obstacles.

There were twigs and stones and many objects the worm had never seen before. There was a large rock and the trunk of a tree that was recently felled. There was even an anthill which the worm was determined to avoid.

It never occurred to the worm to give up the journey.

And when at last the destination was reached, the worm, slightering with the satisfaction of a job well done, soon suffered no more as the black oil which had dripped onto the driveway envelopped it and sealed its fate.

The End

©AtelierCurioStudio

I chose the royalty-free music for this video at: PacDv Free Sound Effects ( http://www.pacdv.com/sounds/index.html )

This is the latest storybox book. I began with a trinket box that I picked up for 25 cents at a second hand shop. I painted it burnt sienna, then added crackle finish and a raw umber contrast. The storybox books are helping me recycle lithographs and photo etchings I did while a student in a four year visual arts program. These prints, of which there are many, are going to supply my backgrounds for many projects to come. All my work generally has some form of social or environmental statement, be it in the subject or in recycling the materials used to create.

True Art

'Nough said!