To be continued....

After three exhibits in three different communities, the paintings in my series Nature's Abstracts have each found a home. The culmination of this two year project came to fruition this week. Many were sold, some were traded with other artists and some were given to family.


 

 

 



In My Studio
 

 

Of  the 34 paintings, there were only three I could not part with.

ENTOURAGE
45cm x 60cm
Oil paint and paste on canvas

REFLECTION
36cm x 36cm
Oil paint, stone and resin on canvas

IRIS

30cm x 20cm

Oil paint on raw canvas, stone and feather

 

 

And a few were very difficult to part with.

MUTATION

10 cm x 12.5 cm

Oil paint, paste and stone on canvas

 

MOSAIC
60cm x 51 cm
Oil paint and resin on canvas





LEVITATION
Oil paint on Canvas
70 cm x 27 cm

The feedback I received from the three exhibits by way of written and verbal comments was most rewarding. It seems that this series of oil paintings successfully conveyed the very message I was trying to transmit-abstract art is all around us! I'm not sure yet if I am quite done with this theme because as I developed it so many new yet related ideas emerged. I am leaving them ferment as I take care of a few slightly more mundane tasks, i.e. cleaning my studio and prepping house and home for winter.

As for my blog, what can I say - To be continued....

(Note: I have been having the hardest time putting pics in my posts that it has really reduced my entries...Soooo frustrating!)

And yet another year of promise begins...

Well it has been a while. I might even say too long if I hadn't been busy creating during these past months. And with good reason...solo show coming in April. Still, as exciting as that is for me, the creating part hasn't really been about the show. It has really been about being inspired. Frankly, I just can't get enough of it. A rock is no longer just a rock...I feel like I've connected with something bigger than me. Each rock I choose soon becomes a monument to some creative process that has me enraptured.

MAESTRO
Oil on canvas, 24" x 36" (2012)

Although the paintings may not do justice to the thousands of years that go into the creation of a rock, I have this deep hope that they may awaken the observer to become as enthralled as I find myself when admiring the natural beauty that surrounds us, even in the tiniest of stones. Truly, I marvel at the complexity of it all.

Featured are two of the paintings I've been working on. I was hoping to post many more pics but I seem to be having the same problem shared by many...I can't upload my images. Of the two paintings featured here, one is accompanied by the stone that inspired it and the other is not. In the case of the other paintings I've been working on, some have the stone embedded, some are embellished with metals such as copper mesh, while others are surrounded by wooden frames. They will not all make it to my show but I'll worry about selection later. Then decisions on framing will take place and whether or not to present the inspiration stone with them.

DECOMPOSITION
Oil on canvas, 16" x 20" (2012)

As I always say, and fervently hope, I will try to post more often for I see it as the perfect journal to keep track of my creative endeavours.

And now the time has come to catch up with those blogs which I have so enjoyed and from which I have drawn so much inspiration, and , sadly, which I have woefully neglected.

Namaste.

Gnôthi Seauton

Gnôthi seauton, latin for " know thyself "...This seems an appropriate way to start my blogging in 2012, a year for which I have chosen ' transformation ' as my theme. One of the many aspects I would like to transform is my blogging habit...Let me reword that, I'd like to make blogging a habit! So this is my plan - I will blog once a week for a grand total of 52 new posts by December 31 2012. Hmmmm, okay I think I ' know myself ' well enough to state that if I post a mere 26 times I'll consider that a resounding success and transformation.

Gnôthi Seauton
Mixed media 3ft x 3ft

The mixed media painting "Gnôthi Seauton" is a bit of a reflection of who I am. My fingerprint, the shadows, the darkness, the light passages - all held together with wire; my life story written between each ridge of my print, sometimes a little smudged but mostly pretty evident.

My fingerprints can often be found in my work, even as a signature when I sign as Curio. As an adoptee from many years ago, there isn't much I know about my genetics. All I have is my DNA and my fingerprints. As a matter of fact, the only two people I know I am connected to by blood in this world are my two children. This is why identity often surfaces as a theme in my work and fingerprints have naturally become evidence of my identity.

As for holding it all together, so often it is only with a thread. The problem with thread is that with time it often becomes weak and is easily broken which is why wire is the binder I chose. It's not fail proof because it can rust and break down, but if you have enough layers it should see you through to the end.

A couple of examples of past works using my fingerprints.

Identidy
(You can read more about this painting in the post for July 16, 2009)

Entre la vie et la mort
(Between birth and death)
Monotype Chine Collé

All blogging aside, I think it worth mentionning, the time not posting will be devoted to ' knowing myself ' a little better and knowing my blogging friends better as well. I'm grateful for each and everyone of you and the inspiration you bring into my life.

Fools' Gold

Earlier this year, I decided to take time off from my studio, yet every now and then I find myself at Curio Studio working away on some creative venture, mostly crafty things. This is what I was up to earlier this week when suddenly my mind took a turn. By the time I awoke from my creative haze there was Fool's Gold oozing out of my canvas.

Fools' Gold

Acrylic/Mixed Media

20"x24"

I must confess I am not the ideal person to point the finger at environmental miscreants because I am far from being a hardcore environmentalist. Don't get me wrong, I really care deeply about the environment and have adjusted my lifestyle and many behaviours to preserve and benefit the planet. I strongly believe that it is better to do something to reduce the burden on mother earth rather than to do nothing. That being said, I also accept that it doesn't have to be all or nothing. (This is me trying to justify the many luxuries which surround me.) Still, while I might not feel I have the right to lend my voice to the tragedy that is occurring in the gulf waters, there is a latin phrase that often comes to my mind: Spiritus ubi vult spirat (Inspiration does not depend on will, it is a gift)...and so here I am.

Fool's Gold came about when I went to the studio to do a completely different piece and suddenly I found myself going in a direction I had truly been avoiding...Social commentary through art.

It is becoming evident to me that social commentary is often the direction my work takes. And the reason this befuddles me is that I'm not convinced that I can make a real difference. However, recently it has come to my attention that some of the greatest humanitarians attribute their success on the fact that they focus on the ' individual ' instead of the multitudes and that is how they made, and make, a difference. By that same token, if I choose to add my little statement to the thousands of voices outraged at the injustices and the callous disregard for the environment,  the message becomes so much louder and clearer.

Now all we need is for the Powers-that-be to open their ears and listen!

Threads II - Forest for the Trees

Renovate, paint, blog, photograph, renovate, print, carve, renovate....you got the gist of it. This total "busy-ness" makes it very hard to focus. Yet focus is becoming more and more important to me. I believe I need it if I'm ever going to really be good at expressing myself through my art, at reaching some pinacle of success. Okay, perhaps I'm overdramatizing a tad...Success is subjective and I guess I have achieved it in many regards.

What I really need is to quiet my mind and I feel a good way to achieve this is, you guessed it, Focus! With this in mind, I am continuing my search for the common threads in my work and lo and behold, there is the tree, a source of inspiration and awe! 

Although I have countless art pieces featuring trees I'll share these four, some old, some new, some unfinished and all in a different medium.

La pénombre (The Shadows)

Monotype-Ink on Somerset paper (32" X 55")

Moonlight Through the Apple Tree

Digital Photograph

Shadow Play

Acrylic on unmounted canvas

8" x  48"

Raw clay carving, not yet air dried. Bisquing and glazing to follow. (4" x 10" X 2")

Of course, don't get me wrong I do treat a lot of other subject matter, but when I look around in my home, in my studio, in my yard, trees are very present. And no wonder, where would we be without them!

The Divining World-Part II

The cards I created below may well hold the key to your Destiny. Have a peek...

The Destiny Package

Inside you find 11 Destiny Numbers

Instructions are handprinted on the envelope itself.

(For the sake of clarity in this photograph I played around with colour and contrast.)

On each card is a Destiny Number and 6 attributes.

Sample cards

Outer Envelope

This Destiny Set was a first for me and will serve as a template for future sets. A couple of changes I intend to make are to go a little lighter on the backgrounds and to use a transfer method for the written information. The latter will cut down on the amount of time needed to produce a complete package, yet each will remain unique because of different backgrounds.

(For more on this project, check out the post

dated December 12, 2009)

Out with the old...

Let me begin by saying that it is really difficult to post when you haven't done it for awhile. I just felt like I needed to clear out a few things and create a more orderly work place. And that's what I have been doing...Out with the clutter; Out with the old! And hopefully the "In with the new" will soon follow.

Before I discard or store away the old, I want to keep a record of certain aspects of my work. In keeping with this concept, every now and again I shall post some of my old work prior to removing it from my studio.


In 2007, I had a solo exposition at the Capitol Theatre in Moncton, New Brunswick. It was called Cognition and dealt with the subjects of awareness and duality. Two of the pieces in that show are shown here. They have been hanging at Curio Studio since that time.

New Forest & Old Forest

2 separate acrylic paintings on stretched canvas 24" x 52" (each piece)

In Old Forest our eyes cannot see the forest for the trees, while in New Forest our eyes cannot see the trees for the lumber. As a reflection of my own hypocrisy in condeming the pulp industry both are framed in wood, a stark reminder that when you point a finger at something, three fingers point back at you.

Seven Deadly Sins

Overpass scene painted on seven canvases each measuring 12" x 48".

Written in Latin, one can read the 7 deadly sins as designated by christian religion:

INVIDA - AVARITIA -LUXURIA - IRA - ACEDIA - SUPERBIA - GULA

(ENVY -AVARICE -LUST - WRATH - SLOTH - PRIDE - GLUTTONY)

The use of the overpass seemed the perfect segway to each panel and demonstrated how we go about our daily routines without really noticing what is happening around us.

This piece also had a counter piece which dealt with virtue. In researching the virtues as they corresponded to the vices I found none truly spoke to me. That being said, one thing did seem to be an antidote for all the vices one could think of and that is RESPECT.

Also consisting of 7 panels (12" x 24"), each panel held one letter painted in a graffiti style, a commentary that it is often graffiti that is used to point out the "disrespectful" behaviour of others. I am happy to say that RESPECT is hanging on a wall in an elementary school in the southern part of New Brunswick.

Of course, there were many more pieces, some which I've already posted here and others that I would just rather forget. My thinking has changed a lot since 2007 and I would not approach the topics in the same way. I now believe that focusing on the negative only gives it more strength. I sure hope that is not what I've done!

The most important thing is that a new day has dawned and I am hoping that a daily routine of coming to the studio will help me achieve my goal of giving voice to my creative self.

So far so good!

The Divining World

I've always been very interested in such things as astrology, tarot, fortune telling and all forms of divination. Although I'm not a firm believer in predicting the future, I have always had a certain respect for the tools one might use to predict the events of their lives or to query the spirits about some problem they are facing. As such, I have a pretty good selection of books and paraphanelia relating to the subject of divination. I have used them in the past as I sought answers to some issue or situation I was seeking clarification for and very often answers came to me.

I use these methods still today and the reason is quite simple.

I believe all answers are available to us and, when the time is right, the answers are there to grasp if we open our minds. Whether through dreams or divination, through the reading of signs or even through some game or system we develop ourselves (ie. 'If I get three green lights in a row, then the answer is GO'), we are often looking for help in deciding which road to take or which career to follow and even with the more mundane daily questions we come up with.

There is a wide array of tools one can use in a quest for answers but I have been developing my own. Of course, I do not presume to have the knowledge to create some new form of divining only instruments that I find aesthetically appealing.

That being said...My latest project will be a series of cards in the spirit of my Alpha Omega project, only much, much smaller. Presently I am working on a numerology set (pictured here) which measures just 1.5 inches by 3 inches.

I don't know if I will manage to complete it during this very busy family time of the year, but I do know it is just the first in a series because I consulted the spirits and they said so!

Alpha Omega - Part II

"From around the age of six, I had the habit of sketching from life. I became an artist, and from fifty on began producing works that won some reputation, but nothing I did before the age of seventy was worthy of attention. At seventy-three, I began to grasp the structures of birds and beasts, insects and fish, and of the way plants grow. If I go on trying, I will surely understand them still better by the time I am eighty-six, so that by ninety I will have penetrated to their essential nature. At one hundred, I may well have a positively divine understanding of them, while at one hundred and thirty, forty, or more I will have reached the stage where every dot and every stroke I paint will be alive. May Heaven, that grants long life, give me the chance to prove that this is no lie."

Katsushika Hokusai, painter and print maker from the 1760-1849.

Outer side of the canvas envelope (roughly 40 in x 16 in)

Inside Pocket

Inside pocket with Alpha Omega cards inserted

Spread of Alpha Omega

Life is what happens between the Alpha and the Omega.

Alpha Omega

I thought it would take me a lot longer than it did to get through the second phase of my project especially as I had no preconceived notion to begin with, only a monotype which I had stored away for the last five years. I always felt it was incomplete, however my professor at the time was very much the purist...you never enhance a print! In fact, because of his words I was extremely hesitant to touch , let alone recycle, my old print. Now that I've done it, consider me hooked.

As a total control freak, just letting things happen is not so easy but I think I'm getting the hang of it. My project, which eventually evolved into Alpha Omega, began with thoughts of the how small a connected world is. I thought of the continents, the people, the common threads and the different languages. And that is where the project took on a life of it's own. Using signs and symbols, each of the eight pages looks to promote a sense of well being.

The writings and symbols include Greek, Hebrew, Sikh, Hindu, Chinese, Alchemy, and Runes. The mediums I used include pen and ink, conte crayons and acrylic paint.

The next phase is an envelope for which I have already tea-stained a piece of canvas. Not quite sure of how it will end up...Stay tuned!

Letting Creation Develop

Can art find expression amid the chaos of construction? I sure hope so!

A few posts back I wrote about recycling my student prints. These are works that are just laying around the studio, many of which just don't seem complete in the fullest sense of the word.

My first recycling projects were story box books. My latest is a monotype print that I am hoping will find a voice after being silenced for five years. The print was about 32 x 24 inches and the subject was about the beginning of Christianity. It invovled numerous ink passes to build up the background; some laser copy transfers of maps from a bible; chine collé using beautiful japanese paper; and impressions of skeletal hands and bones which I cut out in balsa wood, inked, positioned on the print and ran through the press.

When I came upon it in my studio I was actually looking for another print, but as soon as I spotted this one I was compelled to go with the flow. As a matter of fact that is exactly what I am hoping to achieve...going with the creative flow and just letting the piece, which seems to be in book format, develop itself. No preconceived notions; no ultimate goal. Just creating and recognizing when the piece is done!

So far, I have divided the large print into eight equal pieces;

glued them back to back to create four pages;

thus, I now have eight equal size backgrounds. What will develop will develop as it should!

The creative process has begun!